Showing posts with label Nudity. Show all posts
Showing posts with label Nudity. Show all posts

10/16/11

It's Halloween, Everyone's Entitled To One Good Scare.



Sheriff Leigh Brackett:
"I have a feeling that you're way off on this."
Dr. Sam Loomis: "You have the wrong feeling."
Sheriff Leigh Brackett: "You're not doing very much to prove me wrong!"
Dr. Sam Loomis: "What more do you need?"
Sheriff Leigh Brackett: "Well, it's going to take a lot more than fancy talk to keep me up all night crawling around these bushes."
Dr. Sam Loomis: "I- I- I watched him for fifteen years, sitting in a room, staring at a wall, not seeing the wall, looking past the wall - looking at this night, inhumanly patient, waiting for some secret, silent alarm to trigger him off. Death has come to your little town, Sheriff. Now you can either ignore it, or you can help me to stop it."
Sheriff Leigh Brackett: "More fancy talk."

10/8/11

Double, Double, Toil And Trouble, Fire Burn, And Cauldron Bubble






"It's Halloween! It's Halloween!
The moon is full and bright
And we shall see what can't be seen
On any other night.
Skeletons and ghosts and ghouls,
Grinning goblins fighting duels,
Werewolves rising from their tombs,
Witches on their magic brooms.
In masks and gown we haunt the street
And knock on doors for trick or treat.
Tonight we are the king and queen,
For oh tonight it's Halloween!"

10/5/11

Ahh, They'll All Rot In Hell. Kids




Old Lady:
"Is it good dear?"
Old Man: "Meh. It's okay."
Old Lady: "Just okay? You use to love my homemade pies."
Old Man: "Homemade? When did you make this?"
Old Lady: "I've been up for hours sleepyhead. I made it while you were getting your beauty rest."
Old Man: "Last night?"
Old Lady: "There weren't as many trick or treaters last night. Not like the good old days.I had to do something with all those leftover apples. I still can't understand why you buy so many."
Old Man: (the apple's hidden razor blades tear through his throat) "Gahhhhh uhhhhhhhhhhhhh."
Old Lady: "Happy Halloween dear."

10/2/11

There Is No Boogeyman








"A long, long time ago, it was a night of great power. When the days grew short, the spirits of the dead, returned to their homes to warm themselves by the fire's side. All across the land, huge bonfires were lit. Ohhh, there was a marvelous celebration. People danced, and they played games, and they dressed up in costumes, hoping to ward off the evil spirits. Especially the boogey man. "

9/3/11

La Petite Mort Special - Artist Spotlight

The Sexy / Scary Photography of Flex-Flex


Finger


Moon Deuce


Eat Me


Space Disease


necRomantism


Decayed


Craving


Die Augenhand


Abysmal Dreams


Female Zombie


Integration

The Music of Insanity

To visit Flex-Flex's official website, Flexdreams, you may do so by clicking here.

8/21/11

The Poe-et’s Nightmare

A Fable


Luxus tumultus semper causa est.

Lucullus Languish, student of the skies,
And connoisseur of rarebits and mince pies,
A bard by choice, a grocer’s clerk by trade,
(Grown pessimist thro’ honours long delay’d),
A secret yearning bore, that he might shine
In breathing numbers, and in song divine.
Each day his fountain pen was wont to drop
An ode or dirge or two about the shop,
Yet naught could strike the chord within his heart
That throbb’d for poesy, and cry’d for art.
Each eve he sought his bashful Muse to wake
With overdoses of ice-cream and cake;
But thou’ th’ ambitious youth a dreamer grew,
Th’ Aonian Nymph declin’d to come to view.
Sometimes at dusk he scour’d the heav’ns afar,
Searching for raptures in the evening star;
One night he strove to catch a tale untold
In crystal deeps—but only caught a cold.
So pin’d Lucullus with his lofty woe,
Till one drear day he bought a set of Poe:
Charm’d with the cheerful horrors there display’d,
He vow’d with gloom to woo the Heav’nly Maid.
Of Auber’s tarn and Yaanek’s slope he dreams,
And weaves an hundred Ravens in his schemes.
Not far from our young hero’s peaceful home
Lies the fair grove wherein he loves to roam.
Tho’ but a stunted copse in vacant lot,
He dubs it Tempe, and adores the spot;
When shallow puddles dot the wooded plain,
And brim o’er muddy banks with muddy rain,
He calls them limpid lakes or poison pools
(Depending on which bard his fancy rules).
’Tis here he comes with Heliconian fire
On Sundays when he smites the Attic lyre;
And here one afternoon he brought his gloom,
Resolv’d to chant a poet’s lay of doom.
Roget’s Thesaurus, and a book of rhymes,
Provide the rungs whereon his spirit climbs:
With this grave retinue he trod the grove
And pray’d the Fauns he might a Poe-et prove.
But sad to tell, ere Pegasus flew high,
The not unrelish’d supper hour drew nigh;
Our tuneful swain th’ imperious call attends,
And soon above the groaning table bends.
Tho’ it were too prosaic to relate
Th’ exact particulars of what he ate
(Such long-drawn lists the hasty reader skips,
Like Homer’s well-known catalogue of ships),
This much we swear: that as adjournment near’d,
A monstrous lot of cake had disappear’d!
Soon to his chamber the young bard repairs,
And courts soft Somnus with sweet Lydian airs;
Thro’ open casement scans the star-strown deep,
And ’neath Orion’s beams sinks off to sleep.
Now start from airy dell the elfin train
That dance each midnight o’er the sleeping plain,
To bless the just, or cast a warning spell
On those who dine not wisely, but too well.
First Deacon Smith they plague, whose nasal glow
Comes from what Holmes hath call’d “Elixir Pro”;
Group’d round the couch his visage they deride,
Whilst thro’ his dreams unnumber’d serpents glide.
Next troop the little folk into the room
Where snores our young Endymion, swath’d in gloom:
A smile lights up his boyish face, whilst he
Dreams of the moon—or what he ate at tea.
The chieftain elf th’ unconscious youth surveys,
And on his form a strange enchantment lays:
Those lips, that lately thrill’d with frosted cake,
Uneasy sounds in slumbrous fashion make;
At length their owner’s fancies they rehearse,
And lisp this awesome Poe-em in blank verse:



Aletheia Phrikodes

Omnia risus et omnia pulvis et omnia nihil.

Demoniac clouds, up-pil’d in chasmy reach
Of soundless heav’n, smother’d the brooding night;
Nor came the wonted whisp’rings of the swamp,
Nor voice of autumn wind along the moor,
Nor mutter’d noises of th’ insomnious grove
Whose black recesses never saw the sun.
Within that grove a hideous hollow lies,
Half bare of trees; a pool in centre lurks
That none dares sound; a tarn of murky face
(Tho’ naught can prove its hue, since light of day,
Affrighted, shuns the forest-shadow’d banks).
Hard by, a yawning hillside grotto breathes,
From deeps unvisited, a dull, dank air
That sears the leaves on certain stunted trees
Which stand about, clawing the spectral gloom
With evil boughs. To this accursed dell
Come woodland creatures, seldom to depart:
Once I behold, upon a crumbling stone
Set altar-like before the cave, a thing
I saw not clearly, yet from glimpsing, fled.
In this half-dusk I meditate alone
At many a weary noontide, when without
A world forgets me in its sun-blest mirth.
Here howl by night the werewolves, and the souls
Of those that knew me well in other days.
Yet on this night the grove spake not to me;
Nor spake the swamp, nor wind along the moor,
Nor moan’d the wind about the lonely eaves
Of the bleak, haunted pile wherein I lay.
I was afraid to sleep, or quench the spark
Of the low-burning taper by my couch.
I was afraid when thro’ the vaulted space
Of the old tow’r, the clock-ticks died away
Into a silence so profound and chill
That my teeth chatter’d—giving yet no sound.
Then flicker’d low the light, and all dissolv’d,
Leaving me floating in the hellish grasp
Of body’d blackness, from whose beating wings
Came ghoulish blasts of charnel-scented mist.
Things vague, unseen, unfashion’d, and unnam’d
Jostled each other in the seething void
That gap’d, chaotic, downward to a sea
Of speechless horror, foul with writhing thoughts.
All this I felt, and felt the mocking eyes
Of the curs’d universe upon my soul;
Yet naught I saw nor heard, till flash’d a beam
Of lurid lustre thro’ the rotting heav’ns,
Playing on scenes I labour’d not to see.
Methought the nameless tarn, alight at last,
Reflected shapes, and more reveal’d within
Those shocking depths than ne’er were seen before;
Methought from out the cave a demon train,
Grinning and smirking, reel’d in fiendish rout;
Bearing within their reeking paws a load
Of carrion viands for an impious feast.
Methought the stunted trees with hungry arms
Grop’d greedily for things I dare not name;
The while a stifling, wraith-like noisomeness
Fill’d all the dale, and spoke a larger life
Of uncorporeal hideousness awake
In the half-sentient wholeness of the spot.
Now glow’d the ground, and tarn, and cave, and trees,
And moving forms, and things not spoken of,
With such a phosphorescence as men glimpse
In the putrescent thickets of the swamp
Where logs decaying lie, and rankness reigns.
Methought a fire-mist drap’d with lucent fold


The well-remember’d features of the grove,
Whilst whirling ether bore in eddying streams
The hot, unfinish’d stuff of nascent worlds
Hither and thither thro’ infinities
Of light and darkness, strangely intermix’d;
Wherein all entity had consciousness,
Without th’ accustom’d outward shape of life.
Of these swift-circling currents was my soul,
Free from the flesh, a true constituent part;
Nor felt I less myself, for want of form.
Then clear’d the mist, and o’er a star-strown scene,
Divine and measureless, I gaz’d in awe.
Alone in space, I view’d a feeble fleck
Of silvern light, marking the narrow ken
Which mortals call the boundless universe.
On ev’ry side, each as a tiny star,
Shone more creations, vaster than our own,
And teeming with unnumber’d forms of life;
Tho’ we as life would recognise it not,
Being bound to earthy thoughts of human mould.
As on a moonless night the Milky Way
In solid sheen displays its countless orbs
To weak terrestrial eyes, each orb a sun;
So beam’d the prospect on my wond’ring soul:
A spangled curtain, rich with twinkling gems,
Yet each a mighty universe of suns.
But as I gaz’d, I sens’d a spirit voice
In speech didactic, tho’ no voice it was,
Save as it carried thought. It bade me mark
That all the universes in my view
Form’d but an atom in infinity;
Whose reaches pass the ether-laden realms
Of heat and light, extending to far fields
Where flourish worlds invisible and vague,
Fill’d with strange wisdom and uncanny life,
And yet beyond; to myriad spheres of light,
To spheres of darkness, to abysmal voids
That know the pulses of disorder’d force.
Big with these musings, I survey’d the surge
Of boundless being, yet I us’d not eyes,
For spirit leans not on the props of sense.
The docent presence swell’d my strength of soul;
All things I knew, but knew with mind alone.
Time’s endless vista spread before my thought
With its vast pageant of unceasing change
And sempiternal strife of force and will;
I saw the ages flow in stately stream
Past rise and fall of universe and life;
I saw the birth of suns and worlds, their death,
Their transmutation into limpid flame,
Their second birth and second death, their course
Perpetual thro’ the aeons’ termless flight,
Never the same, yet born again to serve
The varying purpose of omnipotence.


And whilst I watch’d, I knew each second’s space
Was greater than the lifetime of our world.
Then turn’d my musings to that speck of dust
Whereon my form corporeal took its rise;
That speck, born but a second, which must die
In one brief second more; that fragile earth;
That crude experiment; that cosmic sport
Which holds our proud, aspiring race of mites
And moral vermin; those presuming mites
Whom ignorance with empty pomp adorns,
And misinstructs in specious dignity;
Those mites who, reas’ning outward, vaunt themselves
As the chief work of Nature, and enjoy
In fatuous fancy the particular care
Of all her mystic, super-regnant pow’r.
And as I strove to vision the sad sphere
Which lurk’d, lost in ethereal vortices,
Methough my soul, tun’d to the infinite,
Refus’d to glimpse that poor atomic blight;
That misbegotten accident of space;
That globe of insignificance, whereon
(My guide celestial told me) dwells no part
Of empyrean virtue, but where breed
The coarse corruptions of divine disease;
The fest’ring ailments of infinity;
The morbid matter by itself call’d man:
Such matter (said my guide) as oft breaks forth
On broad Creation’s fabric, to annoy
For a brief instant, ere assuaging death


Heal up the malady its birth provok’d.
Sicken’d, I turn’d my heavy thoughts away.
Then spake th’ ethereal guide with mocking mien,
Upbraiding me for searching after Truth;
Visiting on my mind the searing scorn
Of mind superior; laughing at the woe
Which rent the vital essence of my soul.
Methought he brought remembrance of the time
When from my fellows to the grove I stray’d,
In solitude and dusk to meditate
On things forbidden, and to pierce the veil
Of seeming good and seeming beauteousness
That covers o’er the tragedy of Truth,
Helping mankind forget his sorry lot,
And raising Hope where Truth would crush it down.
He spake, and as he ceas’d, methought the flames
Of fuming Heav’n resolv’d in torments dire;
Whirling in maelstroms of rebellious might,
Yet ever bound by laws I fathom’d not.
Cycles and epicycles, of such girth
That each a cosmos seem’d, dazzled my gaze
Till all a wild phantasmal glow became.
Now burst athwart the fulgent formlessness
A rift of purer sheen, a sight supernal,
Broader that all the void conceiv’d by man,
Yet narrow here. A glimpse of heav’ns beyond;
Of weird creations so remote and great
That ev’n my guide assum’d a tone of awe.
Borne on the wings of stark immensity,


A touch of rhythm celestial reach’d my soul;
Thrilling me more with horror than with joy.
Again the spirit mock’d my human pangs,
And deep revil’d me for presumptuous thoughts:
Yet changing now his mien, he bade me scan
The wid’ning rift that clave the walls of space;
He bade me search it for the ultimate;
He bade me find the Truth I sought so long;
He bade me brave th’ unutterable Thing,
The final Truth of moving entity.
All this he bade and offer’d—but my soul,
Clinging to life, fled without aim or knowledge,
Shrieking in silence thro’ the gibbering deeps.



Thus shriek’d the young Lucullus, as he fled
Thro’ gibbering deeps—and tumbled out of bed;
Within the room the morning sunshine gleams,
Whilst the poor youth recalls his troubled dreams.
He feels his aching limbs, whose woeful pain
Informs his soul his body lives again,
And thanks his stars—or cosmoses—or such
That he survives the noxious nightmare’s clutch.
Thrill’d with the music of th’ eternal spheres
(Or is it the alarm-clock that he hears?),
He vows to all the Pantheon, high and low,
No more to feed on cake, or pie, or Poe.
And now his gloomy spirits seem to rise,
As he the world beholds with clearer eyes;
The cup he thought too full of dregs to quaff
Affords him wine enough to raise a laugh.
(All this is metaphor—you must not think
Our late Endymion prone to stronger drink!)
With brighter visage and with lighter heart,
He turns his fancies to the grocer’s mart;
And strange to say, at last he seems to find
His daily duties worthy of his mind.
Since Truth prov’d such a high and dang’rous goal,
Our bard seeks one less trying to his soul;
With deep-drawn breath he flouts his dreary woes,
And a good clerk from a bad poet grows!
Now close attend my lay, ye scribbling crew
That bay the moon in numbers strange and new;
That madly for the spark celestial bawl
In metres short or long, or none at all:


Curb your rash force, in numbers or at tea,
Nor overzealous for high fancies be;
Reflect, ere ye the draught Pierian take,
What worthy clerks or plumbers ye might make;
Wax not too frenzied in the leaping line
That neither sense nor measure can confine,
Lest ye, like young Lucullus Launguish, groan
Beneath Poe-etic nightmares of your own!

- H.P. Lovecraft

Photos provided courtesy of  www.mechanicalwhispers.com

8/20/11

The Nightmare Lake




There is a lake in distant Zan,
Beyond the wonted haunts of man,
Where broods alone in a hideous state
A spirit dead and desolate;
A spirit ancient and unholy,
Heavy with fearsome melancholy,
Which from the waters dull and dense
Draws vapors cursed with pestilence.
Around the banks, a mire of clay,
Sprawl things offensive in decay,
And curious birds that reach that shore
Are seen by mortals nevermore.
Here shines by day the searing sun
On glassy wastes beheld by none,
And here by night pale moonbeams flow
Into the deeps that yawn below.
In nightmares only is it told
What scenes beneath those beams unfold;
What scenes, too old for human sight,


Lie sunken there in endless night;
For in those depths there only pace
The shadows of a voiceless race.
One midnight, redolent of ill,
I saw that lake, asleep and still;
While in the lurid sky there rode
A gibbous moon that glow’d and glow’d.
I saw the stretching marshy shore,
And the foul things those marshes bore:
Lizards and snakes convuls’d and dying;
Ravens and vampires putrefying;
All these, and hov’ring o’er the dead,
Narcophagi that on them fed.
And as the dreadful moon climb’d high,
Fright’ning the stars from out the sky,
I saw the lake’s dull water glow
Till sunken things appear’d below.
There shone unnumber’d fathoms down,
The tow’rs of a forgotten town;
The tarnish’d domes and mossy walls;
Weed-tangled spires and empty halls;
Deserted fanes and vaults of dread,
And streets of gold uncoveted.

These I beheld, and saw beside
A horde of shapeless shadows glide;
A noxious horde which to my glance
Seem’d moving in a hideous dance
Round slimy sepulchres that lay
Beside a never-travell’d way.
Straight from those tombs a heaving rose
That vex’d the waters’ dull repose,
While lethal shades of upper space
Howl’d at the moon’s sardonic face.
Then sank the lake within its bed,
Suck’d down to caverns of the dead,
Till from the reeking, new-stript earth
Curl’d foetid fumes of noisome birth.
About the city, nigh uncover’d,
The monstrous dancing shadows hover’d,
When lo! there oped with sudden stir
The portal of each sepulchre!
No ear may learn, no tongue may tell
What nameless horror then befell.
I see that lake—that moon agrin—
That city and the things within—
Waking, I pray that on that shore
The nightmare lake may sink no more!

-H.P. Lovecraft

Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn

"It is at night, especially when the moon is gibbous and waning, that I see the thing. I tried morphine; but the drug has given only transient surcease, and has drawn me into its clutches as a hopeless slave. So now I am to end it all, having written a full account for the information or the contemptuous amusement of my fellow-men. Often I ask myself if it could not all have been a pure phantasm—a mere freak of fever as I lay sun-stricken and raving in the open boat after my escape from the German man-of-war. This I ask myself, but ever does there come before me a hideously vivid vision in reply. I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed, worshipping their ancient stone idols and carving their own detestable likenesses on submarine obelisks of water-soaked granite. I dream of a day when they may rise above the billows to drag down in their reeking talons the remnants of puny, war-exhausted mankind—of a day when the land shall sink, and the dark ocean floor shall ascend amidst universal pandemonium."

8/13/11

Uh-Uh, Mother-M-Mother, Uh, What Is The Phrase? She Isn't Quite Herself Today.




Norman Bates:
"Now mother, I'm going to uh, bring something up..."
Norma Bates: "Haha... I am sorry, boy, but you do manage to look ludicrous when you give me orders."
Norman Bates: "Please, mother."
Norma Bates: "No! I will not hide in the fruit cellar! Ha! You think I'm fruity, huh? I'm staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!"
Norman Bates: "They'll come now, mother! He came after the girl, and now someone will come after him. Please mother, it's just for a few days, just for a few days so they won't find you!"
Norma Bates: "Just for a few days? In that dark, dank fruit cellar? No! You hid me there once, boy, and you'll not do it again, not ever again; now get out! I told you to get out, boy."
Norman Bates: "I'll carry you, mother."
Norma Bates: "Norman! What do you think you're doing? Don't you touch me, don't! NORMAN! Put me down, put me down, I can walk on my own..."

7/30/11

La Petite Mort Special - Artist Spotlight

The Ghoulish Photography of Corinne Alexandra


Collecting Dust

Fever #2

Banshee

Gallow Walker

Thirsty #2

Lullaby

Nikki Horror #3

Fever #1

Reanimator

How...

Arachnidism

Craving


About the Artist

(In her own words)
I am a young entrepreneur living in San Diego, California. Self-taught in photography and graphic design, I have been working with my freelance project, Stuck with Pins, since 2004. As a male-dominated industry, the commercial art world lacks pioneering female talent; Connoisseur of zombie movies, I’m bringing sexy back.

You may visit Corinne's official website Stuckwithpins.com by clicking here.

6/26/11

Your Nightmares Follow You Like A Shadow, Forever










"Thus fortified I might take my rest in peace. But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exists and their entrances as they please, and laugh at locksmiths."

6/11/11

Be Afraid. Be Very Afraid.



"How does Brundlefly eat? Well, he found out the hard and painful way that he eats very much the way a fly eats. His teeth are now useless, because although he can chew up solid food, he can't digest them. Solid food hurts. So like a fly, Brundlefly breaks down solids with a corrosive enzyme, playfully called "vomit drop". He regurgitates on his food, it liquifies, and then he sucks it back up. Ready for a demonstration, kids? Here goes..."

6/10/11

They Like Me! They Really Like Me!

My Interview At Billy Loves Stu

Champagne wishes and caviar dreams. Me and my husband Daniel living the zombie life.

In personal news, I've had myself a rather awesome week due largely to a one Mr. Pax Romano, aka the super sweet, omnipotent curator of Billy Loves Stu. Billy Loves Stu, in case you don't know is only one of the longest running, pretty damn stellar gay horror blogs around and when Mr. Romano asked yours truly if I would like to participate in his celebration of future queer voices of horror for gay pride month, I jumped at the chance. Now, I can think of about 5 other bloggers off the top of my head more worthy of that moniker than I, but really what's a boy to do (also, when is the next time somebody is gonna give two hoots as to what little 'ol me has to say)? Incredibly flattered, I humbly excepted his invitation to an interview and spent the better part of 15 hours (roughly the time it took me to complete the thing) this week attempting to wear my very best game face all the while trying to squeeze into a pair of smarty pants that didn't necessarily fit me completely. No, there wasn't any pretense and I was nothing if not myself however seeing one's words posted elsewhere in such a manner is a singularly bizarre experience. Honestly, I cringe at myself on an almost daily basis so I should probably be use to the sensation by now. Hopefully I'm not inviting others to cringe with me on this particular venture.

Before I send you on your merry way and point you in the direction of the interview in question though, I must say this of Mr. Romano, he of the sexy and mysterious lucha libre masks. When I decided to start The October Country in the winter of 2010 (November to be exact), I was an infant when it came to knowing my away around running a horror blog. Really, most times I didn't know what the hell it was I was doing. I could be behind the scenes for hours trying to figure out how to edit something properly or work my way around their rules and regulations. Some months into it, I befriended dear 'ol Pax on Facebook and slowly but surely started to ask him an increasing flood of questions about blogging etiquette. His advice (and patience) with me unquestionably gave me the courage to take the site in some directions I'd been dreaming of heading, but up until hearing his kind words of support, I hadn't yet had the balls to do. Yeah, I kinda think of him as my occasional mentor. He is older and wiser than I, and I'm sure I could still learn a lot from him. Also, he has taught me that even in the world of blogging, real life manners and kindness always have their place. The compliments that he pays to and the encouragement I've seen him offer other bloggers currently toiling away in all this horror business is a real inspiration. Really, we should all be so kind.

So, I would first like to thank Mr. Romano for all the time he's put into helping me find my way in this endeavor you all know as The October Country and secondly, I would like to thank him for the amazing opportunity he's given me to talk a little about myself and this site over on his. I had a blast answering his questions and straining my memory for the right recollections and revisiting all those embarrassing moments from my weirdo childhood. Anyway, if any of you dear readers are interested in knowing what your host has to say on topics ranging from gay marriage with a fellow horror nut (my always awesome husband Daniel), sexuality's place within the genre, my favorite horror movie, what exactly I'd serve David Lynch for dinner and a whole lot of other thoughts, head on over to Billy Loves Stu and read all about it.

But first before I go, a wee bit of irreverence after all that sincerity (because I can't help myself and well, that's just me). To get there, just click Pax's penis below. That's right, just click his penis....right...there. You can even rub it or stroke it if you so wish. That's actually not Pax (or is it) but I don't think anyone among us knows just what exactly this enigmatic luchador looks like and so this is how I choose to see the elusive legend. Really, can you blame me?

6/9/11

I Want You To Be My Date, Rose.










"Oh my God! That's it! That is exactly how he looked when he realized I was watching him in the shower! The only difference is that his hand was touching something else. There was too much steam, so I'm not sure exactly as to what it was, but I probably am better off not knowing.
"

6/4/11

You Will Not Remember What I Show You Now, And Yet I Shall Awaken Memories Of Love... And Crime... And Death..








Doctor Muller:
"Look - the sacred spells which protect the soul in its journey to the underworld have been chipped off the coffin. So Imhotep was sentenced to death not only in this world, but in the next."
Assistant: "Maybe he got too gay with the vestal virgins in the temple."
Doctor Muller: "Possibly."

5/9/11

My Mommy Always Said There Were No Monsters, No Real Ones...But There Are.





"Final report of the commercial starship Nostromo, third officer reporting. The other members of the crew, Kane, Lambert, Parker, Brett, Ash and Captain Dallas, are dead. Cargo and ship destroyed. I should reach the frontier in about six weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of the Nostromo, signing off. "

4/30/11

Exquisite Corpse





"Tran raised his head. Jay had made a long shallow incision from his breastbone to his crotch, neatly parting the skin. Tran could see the layers of fat and muscle beneath. Arthur stood at the foot of the table, his cock and thighs smeared with Tran's blood. his pubic hair matted with it.

Jay thrust the knife into the incision again, and Tran's head fell back. The cold blade twisted inside him, severed some tough membrane with an agonizing crunch, sank into vital softness. Tran heard his own blood pattering onto the table, felt it pooling warmly beneath his back and buttocks. Blood filled his throat, welled past the gag and trickled out the corners of his mouth.
Jay unfastened the gag and pulled it out. A freshet of blood and bile followed it. Tran coughed, retched, tried to scream. It sounded like someone attempting to gargle boiling water. Jay put the knife down, leaned over and cradled him, kissed his bloody mouth, licked his chin, his throat, his swollen nipples, the edges of his incision. Tran felt consciousness beginning to slip away, merciful blackness fogging his brain at last."

4/21/11

Everybody Dances With The Grim Reaper









"Gaily I lived as ease and nature taught,
And spent my little life without a thought,
And am amazed that Death, that tyrant grim,
Should think of me, who never thought of him".

4/12/11

Oh Please! By Definition Alone, Sequels Are Inferior Films!








Mark:
"I know what it's like to see ghosts that don't go away, to be watching a scary movie in your head... watching it alone."
Sidney: "Ghosts are tough. You can't shoot ghosts."
Mark: "Can't arrest ghosts, but the best way to fight them is to be around people. You're not hiding. You've done the right thing, Ms. Prescott."

4/8/11

You're Starting To Sound Like Some Wes Carpenter Flick Or Something.







Stu:
"Because there's not way a girl could have killed them."
Tatum: "That is so sexist. The killer could easily be female, Basic Instinct."
Randy: "That was an ice pick, not exactly the same thing."
Stu: "Yeah, Casey and Steve were completely hollowed out. Takes a man to do something like that."
Tatum: "Or a man's brutality."
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