Showing posts with label Poe's Children. Show all posts
Showing posts with label Poe's Children. Show all posts

8/20/11

Poe's Children: From The Bookshelf Of Fantastic Fiction

The very first story by H.P. Lovecraft I ever read, was this one, The Thing in the Moonlight. Alone in bed on a freezing winter night, I quickly finished the short story and then laid there astounded that something that read so briskly would have such a profound effect on me. With only the bedside lamp and the nearly full moon shining through the bedroom widow, I was quite literally too unnerved to leave the safety of my bed and use the bathroom, which I direly needed to do, for some time. Thus began my love affair with Lovecraft's unique world of cosmic horrors; things the slither and slime and crawl up from unfathomable depths or visit us from the blackest reaches of space and time. Things too horrifying, too gargantuan, too unspeakable to describe, lest the narrator (or possibly the reader) go mad with fright. Unimaginably evil beings older than time that regard us with indifference, for what are we but specks of dust in their monstrous clutches. In celebration of Lovecraft's birthday, it is our honor to share with you dear readers, that first unearthly kiss from one of the most uncanny lovers we've ever had.


H.P. Lovecraft's The Thing in the Moonlight





Morgan is not a literary man; in fact he cannot speak English with any degree of coherency. That is what makes me wonder about the words he wrote, though others have laughed.
He was alone the evening it happened. Suddenly an unconquerable urge to write came over him, and taking pen in hand he wrote the following:
My name is Howard Phillips. I live at 66 College Street, in Providence, Rhode Island. On November 24, 1927—for I know not even what the year may be now—, I fell asleep and dreamed, since when I have been unable to awaken.
My dream began in a dank, reed-choked marsh that lay under a gray autumn sky, with a rugged cliff of lichen-crusted stone rising to the north. Impelled by some obscure quest, I ascended a rift or cleft in this beetling precipice, noting as I did so the black mouths of many fearsome burrows extending from both walls into the depths of the stony plateau.
At several points the passage was roofed over by the choking of the upper parts of the narrow fissure; these places being exceeding dark, and forbidding the perception of such burrows as may have existed there. In one such dark space I felt conscious of a singular accession of fright, as if some subtle and bodiless emanation from the abyss were engulfing my spirit; but the blackness was too great for me to perceive the source of my alarm.
At length I emerged upon a tableland of moss-grown rock and scanty soil, lit by a faint moonlight which had replaced the expiring orb of day. Casting my eyes about, I beheld no living object; but was sensible of a very peculiar stirring far below me, amongst the whispering rushes of the pestilential swamp I had lately quitted.
After walking for some distance, I encountered the rusty tracks of a street railway, and the worm-eaten poles which still held the limp and sagging trolley wire. Following this line, I soon came upon a yellow, vestibuled car numbered 1852—of a plain, double-trucked type common from 1900 to 1910. It was untenanted, but evidently ready to start; the trolley being on the wire and the air-brake now and then throbbing beneath the floor. I boarded it and looked vainly about for the light switch—noting as I did so the absence of the controller handle, which thus implied the brief absence of the motorman. Then I sat down in one of the cross seats of the vehicle. Presently I heard a swishing in the sparse grass toward the left, and saw the dark forms of two men looming up in the moonlight. They had the regulation caps of a railway company, and I could not doubt but that they were conductor and motorman. Then one of them sniffed with singular sharpness, and raised his face to howl to the moon. The other dropped on all fours to run toward the car.
I leaped up at once and raced madly out of that car and across endless leagues of plateau till exhaustion forced me to stop—doing this not because the conductor had dropped on all fours, but because the face of the motorman was a mere white cone tapering to one blood-red-tentacle. . . .
I was aware that I only dreamed, but the very awareness was not pleasant.
Since that fearful night, I have prayed only for awakening—it has not come.
Instead I have found myself an inhabitant of this terrible dream-world! That first night gave way to dawn, and I wandered aimlessly over the lonely swamp-lands. When night came, I still wandered, hoping for awakening. But suddenly I parted the weeds and saw before me the ancient railway car—and to one side a cone-faced thing lifted its head and in the streaming moonlight howled strangely
It has been the same each day. Night takes me always to that place of horror. I have tried not moving, with the coming of nightfall, but I must walk in my slumber, for always I awaken with the thing of dread howling before me in the pale moonlight, and I turn and flee madly.
God! when will I awaken?
That is what Morgan wrote. I would go to 66 College Street in Providence, but I fear for what I might find there.


The Thing in the Moonlight is based on a letter that Lovecraft wrote to Donald Wandrei on 24 November 1927.

8/13/11

Poe's Children: From The Bookshelf Of Fantastic Fiction

Alfred Hitchcock In Print

At the height of Hitchcock's success, he was asked to introduce a set of books with his name attached. The series was a collection of short stories by popular short-story writers, primarily focused on suspense and thrillers. These titles included Alfred Hitchcock's Anthology, Alfred Hitchcock Presents: Stories to be Read with the Door Locked, Alfred Hitchcock's Monster Museum, Alfred Hitchcock's Supernatural Tales of Terror and Suspense, Alfred Hitchcock's Spellbinders in Suspense, Alfred Hitchcock's Witch's Brew, Alfred Hitchcock's Ghostly Gallery, Alfred Hitchcock's A Hangman's Dozen and Alfred Hitchcock's Haunted Houseful. Hitchcock himself was not actually involved in the reading, reviewing, editing or selection of the short stories; in fact, even his introductions were ghost-written. The entire extent of his involvement with the project was to lend his name and collect a check.

Some notable writers whose works were used in the collection include Shirley Jackson (Strangers in Town, The Lottery), T.H. White (The Once and Future King), Robert Bloch (Psycho), H. G. Wells (The War of the Worlds), Robert Louis Stevenson, Sir Arthur Conan Doyle, Mark Twain and the creator of The Three Investigators, Robert Arthur. *

Always one for a cameo, Hitchcock himself is oftentimes seen on the book covers, many of which are considered to be amongst the best pulp fiction cover art of all time. These are but a small sampling.






*Source: Wikipedia

6/19/11

Bram Stoker Award Winners Announced!


So did any of you guys watch the Bram Stoker Awards live stream last night? Well, we here at The October Country sure did and we gotta say we found the event to be magnificent. The presenters and winners alike all proved themselves to be an entertaining bunch, providing along the way marvelous insights about our humble little beloved genre that would make any horror hound smile (even though Dorchester Publishing didn't go down in flames as I had hoped, eBooks sure did, yay). It was a first for the event (the live stream) and here is hoping that it won't be their last. I know that us fans of horror literature really appreciated the glimpse we got into the world of the horror writing elite. It would be really awesome if somewhere down the line, someone like the Chiller network would pick the event up for a live telecast. In this day and age, horror fiction could use all the exposure it can get. We can hope.

First things first though, our hats off to the behind the scenes men and women who pulled the stream off without a hitch. I imagine that there were about a dozen things that could have went wrong and thankfully nothing did. It was great from beginning to end. Secondly, The October Country would like to say congratulations to all the winners and all the nominees. Dollars to donuts, we'll be out their scooping up your award winning and nominated work very soon. Because honestly, we can't wait to crack those book jackets and see what frightening visions you have in store for us. Also, dear readers, you'd do well to follow suit so get down to your local library or bookshop already. Again, congratulations guys and gals!

Superior Achievement in a Novel
DARK MATTER by Peter Straub



Superior Achievement in a First Novel (tie)
BLACK AND ORANGE by Benjamin Kane Ethridge
CASTLE OF LOS ANGELES by Lisa Morton

Superior Achievement in Long Fiction
INVISIBLE FENCES by Norman Prentiss



Superior Achievement in an Anthology

HAUNTED LEGENDS edited by Ellen Datlow and Nick Mamatas

Superior Achievement in a Collection
FULL DARK, NO STARS by Stephen King

Superior Achievement in Nonfiction
TO EACH THEIR DARKNESS by Gary A. Braunbeck


Superior Achievement in a Poetry Collection
DARK MATTERS by Bruce Boston

Superior Achievement in Short Fiction
THE FOLDING MAN by Joe R. Lansdale (from HAUNTED LEGENDS)

HWA Specialty Press Award Goes to Dark Regions Press



Angel Leigh McCoy Awarded 2010 Silver Hammer Award



Michael Colangelo Awarded 2010 Richard Laymon Award



Ellen Datlow Awarded the Lifetime Achievement Award



Al Feldstein Awarded the Lifetime Achievement Award

6/15/11

Celebrating The Written Word (Updated)

Watch The Stoker Awards LIVE This Saturday Night!


I've said once and I'll say it again, the Bram Stoker Awards is just about the only awards ceremony that means anything to us nerds here at The October Country headquarters. The Scream Awards seem to be nothing but an industry hype machine to sell mainstream, bad "horror" movies (Twilight anyone). The Academy of Science Fiction, Fantasy & Horror Films? Please! Nah, the one and only horror awards ceremony wherein the nominees are selected and voted upon by their peers (their fellow authors), real fans of really good horror, appears to be The Bram Stoker Awards. Which is why we trust in it so much. I've yet to read a single novel with the Bram Stoker namesake emblazoned across its cover (either nominee or winner of one) that has let me down. Period. If they didn't outright terrify me they disturbed me, if they didn't disturb me they made me think, if they didn't make me think they set my imagination ablaze. But mostly, they've done all those things at once and more and so I'll forever be grateful to the Horror Writers Association for stirring up such an event. For creating for us readers a means of knowing how and where to find the very best of the best. Screw the Oscars. My dream is to one day walk down the red carpet of The Bram Stoker Awards as a guest in my spiffiest of spiffy duds and then proceed to lose my damn mind throughout the night, hooting and hollering as the winners are announced. Seriously, it's one for my bucket list.

So, it is with great pleasure and excitement that I get to announce that the next best thing is about to happen. The Horror Writers Association would like all fans of finely crafted fictional frights to know that they are going to be airing the ceremony live at 9:30PM, this Saturday, June 18th! Yeah, that's right, you'll finally get the chance to rub elbows with the likes of Peter Straub, Jeff Strand, Joe R. Lansdale and many more, even if it's from the comfort of your home. I've already got my popcorn (plus the idea that there may be a handful of Ricky Gervais-esque public take-downs of Dorchester Publishing is too good to pass up).

Please use this link: http://www.ustream.tv/channel/horror-writer-awards to join in the festivities.

A list of this years nominees can be found here.

But the fun doesn't have to begin and end on Saturday. Those in the Long Island, New York area (or those of you able to travel) can enjoy the many other events planned throughout June 16th - 19th. Here is the official website for Stoker Weekend 2011.

No plans this weekend? Never heard of the Bram Stoker Awards? Haven't picked up a book since high school? You only read Stephen King or Dean Koontz? King Horror Writers Association who? Well then, let's enlighten ourselves for a moment shall we?

Each year, the Horror Writer's Association presents the Bram Stoker Awards for Superior Achievement, named in honor of Bram Stoker, author of the seminal horror work, Dracula. The Stoker Awards were instituted immediately after the organization's incorporation in 1987. While many members, including HWA's first President, Dean Koontz, had reservations about awards for writing -- since the point of HWA was for writers to cooperate for their mutual benefit, not to compete against one another -- the majority of members heavily favored presenting awards, both to recognize outstanding work in the horror field and to publicize HWA's activities.

To ameliorate the competitive nature of awards, the Stokers are given "for superior achievement," not for "best of the year," and the rules are deliberately designed to make ties fairly probable. The first awards were presented in 1988 (for works published in 1987), and they have been presented every year since. The award itself is an eight-inch replica of a fanciful haunted house, designed specifically for HWA by sculptor Steven Kirk. The door of the house opens to reveal a brass plaque engraved with the name of the winning work and its author.

The Stoker Awards, like the Oscars, are non-juried awards. Any work of Horror first published in the English language may be considered for a Stoker during the year of its publication. The HWA membership at large recommends worthy works for consideration. A preliminary ballot is compiled using a formula based on recommendations. Two rounds of voting by our Active members determine first the finalists, and then the winners. The winners are announced and the awards presented at a gala banquet held in conjunction with HWA's annual conference, usually in June.

Between 2001 and 2004, the awards were presented in twelve categories: Novel, First Novel, Short Fiction, Long Fiction, Fiction Collection, Poetry Collection, Anthology, Nonfiction, Illustrated Narrative, Screenplay, Work for Young Readers, and Alternative Forms. Beginning with works published in 2005, however, the awards are given in eight categories: Novel, First Novel, Short Fiction, Long Fiction, Fiction Collection, Poetry Collection, Anthology, and Nonfiction. In addition, Lifetime Achievement Stokers are occasionally presented to individuals whose entire body of work has substantially influenced Horror.

Congratulations to all the nominees from all of us here at The October Country.
Additionally (and as we always say) if you were to pick up just one horror novel this year dear reader, make it a Stoker nominee.

3/1/11

Celebrating The Written Word

The 2010 Bram Stoker Awards

The Oscars are over. Now, onto the only awards ceremony we here at The October Country really care about, the Bram Stoker Awards. When browsing through the dusty stacks of our favorite locally owned used bookstore Hyde Bros., or perusing the shelves at the library, one imprint we always look for on the covers of our scary novels, is the notification that the book we are holding was either nominated for, or won, a Bram Stoker Award. It's the kind of seal of approval we always trust in good faith and we haven't been let down yet.

Each year, the Horror Writer's Association presents the Bram Stoker Awards for Superior Achievement, named in honor of Bram Stoker, author of the seminal horror work, Dracula. The Stoker Awards were instituted immediately after the organization's incorporation in 1987. While many members, including HWA's first President, Dean Koontz, had reservations about awards for writing -- since the point of HWA was for writers to cooperate for their mutual benefit, not to compete against one another -- the majority of members heavily favored presenting awards, both to recognize outstanding work in the horror field and to publicize HWA's activities.

To ameliorate the competitive nature of awards, the Stokers are given "for superior achievement," not for "best of the year," and the rules are deliberately designed to make ties fairly probable. The first awards were presented in 19
88 (for works published in 1987), and they have been presented every year since. The award itself is an eight-inch replica of a fanciful haunted house, designed specifically for HWA by sculptor Steven Kirk. The door of the house opens to reveal a brass plaque engraved with the name of the winning work and its author.

The Stoker Awards, like the Oscars, are non-juried awards. Any work of Horror first published in the English language may be considered for a Stoker during the year of its publication. The HWA membership at large recommends worthy works for consideration. A preliminary ballot is compiled using a formula based on recommendations. Two rounds of voting by our Active members determine first the finalists, and then the winners. The winners are announced and the awards presented at a gala banquet held in conjunction with HWA's annual conference, usually in June.

Between 2001 and 2004, the awards were presented in twelve categories: Novel, First Novel, Short Fiction, Long Fiction, Fiction Collection, Poetry Collection, Anthology, Nonfiction, Illustrated Narrative, Screenplay, Work for Young Readers, and Alternative Forms. Beginning with works published in 2005, however, the awards are given in eight categories: Novel, First Novel, Short Fiction, Long Fiction, Fiction Collection, Poetry Collection, Anthology, and Nonfiction. In addition, Lifetime Achievement Stokers are occasionally presented to individuals whose entire body of work has substantially influenced Horror.

The Horror Writers Association just announced Nominations for the 2010 Bram Stoker Award. They are as follows:


Superior Achievement in a Novel

* HORNS by Joe Hill (William Morrow)
* ROT AND RUIN by Jonathan Maberry (Simon & Schuster)
* DEAD LOVE by Linda Watanabe McFerrin (Stone Bridge Press)
* APOCALYPSE OF THE DEAD by Joe McKinney (Pinnacle)
* DWELLER by Jeff Strand (Leisure/Dark Regions Press)
* A DARK MATTER by Peter Straub (DoubleDay)



Superior Achievement in a First Novel

* BLACK AND ORANGE by Benjamin Kane Ethridge (Bad Moon Books)
* A BOOK OF TONGUES by Gemma Files (Chizine Publications)
* CASTLE OF LOS ANGELES by Lisa Morton (Gray Friar Press)
* SPELLBENT by Lucy Snyder (Del Rey)



Superior Achievement in Long Fiction

* THE PAINTED DARKNESS by Brian James Freeman (Cemetery Dance)
* DISSOLUTION by Lisa Mannetti (Deathwatch)
* MONSTERS AMONG US by Kirstyn McDermott (Macabre: A Journey through Australia’s Darkest Fears)
* THE SAMHANACH by Lisa Morton (Bad Moon Books)
* INVISIBLE FENCES by Norman Prentiss (Cemetery Dance)



Superior Achievement in Short Fiction

* RETURN TO MARIABRONN by Gary Braunbeck (Haunted Legends)
* THE FOLDING MAN by Joe R. Lansdale (Haunted Legends)
* 1925: A FALL RIVER HALLOWEEN by Lisa Mannetti (Shroud Magazine #10)
* IN THE MIDDLE OF POPLAR STREET by Nate Southard (Dead Set: A Zombie Anthology)
* FINAL DRAFT by Mark W. Worthen (Horror Library IV)



Superior Achievement in an Anthology

* DARK FAITH edited by Maurice Broaddus and Jerry Gordon (Apex Publications)
* HORROR LIBRARY IV edited by R.J. Cavender and, Boyd E. Harris (Cutting Block Press)
* MACABRE: A JOURNEY THROUGH AUSTRALIA’S DARKEST FEARS edited by Angela Challis and Marty Young (Brimstone Press)
* HAUNTED LEGENDS edited by Ellen Datlow and Nick Mamatas (Tor)
* THE NEW DEAD edited by Christopher Golden (St. Martin's Griffin)



Superior Achievement in a Collection

* OCCULTATION by Laird Barron (Night Shade Books)
* BLOOD AND GRISTLE by Michael Louis Calvillo (Bad Moon Books)
* FULL DARK, NO STARS by Stephen King (Simon and Schuster)
* THE ONES THAT GOT AWAY by Stephen Graham Jones (Prime Books)
* A HOST OF SHADOWS by Harry Shannon (Dark Regions Press)



Superior Achievement in Nonfiction

* TO EACH THEIR DARKNESS by Gary A. Braunbeck (Apex Publications)
* THE CONSPIRACY AGAINST THE HUMAN RACE by Thomas Ligotti (Hippocampus Press)
* WANTED UNDEAD OR ALIVE by Jonathan Maberry and Janice Gable Bashman (Citadel)
* LISTEN TO THE ECHOES: THE RAY BRADBURY INTERVIEWS by Sam Weller (Melville House Publications)



Superior Achievement in a Poetry Collection

* DARK MATTERS by Bruce Boston (Bad Moon Books)
* WILD HUNT OF THE STARS by Ann K. Schwader (Sam's Dot)
* DIARY OF A GENTLEMAN DIABOLIST by Robin Spriggs (Anomalous Books)
* VICIOUS ROMANTIC by Wrath James White (Needfire Poetry)



Congratulations to all the nominees from The October Country.
Additionally, a bit of advice before we go; if you, dear reader, were to pick up just one horror novel this year, make it a Stoker nominee.
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